"Flammentangel Kabarett," a senior thesis production that explores the atmosphere of creativity and freedom, decadence and fear that characterized Weimar Germany in the 1930s, will be presented Friday through Monday, Dec. 5-8, in the Matthews Acting Studio at 185 Nassau St.
The production has been devised by seniors Sarah Outhwaite, who is majoring in comparative literature and earning a certificate in theater and dance, and Jon Feyer, who is majoring in English and earning a certificate in theater and dance.
Immersing the audience in a vibrant theatrical experience, "Flammentangel Kabarett" removes the usual divisions between audience, stage and backstage. The show, set in Berlin in 1933, uses live music, dance and satirical sketches to capture the reality of a particular time and place whose inhabitants were flirting with chaos. As relationships among the performers start to come undone, just outside the Berlin night catches fire.
"I wanted to make this piece because Weimar Berlin has such magnetic pull," said Outhwaite, who also directs the production. "So many of the political, moral and artistic questions that dominated through the 20th century were first asked right there, in Germany, between the world wars."
Outhwaite and Feyer collaborated on the script, which uses old German Kabarett (now commonly called cabaret) songs as well as routines and skits the two created. Feyer also performs in the role of cabaret owner and comedian Kurt Werner.
"We set out to challenge ourselves with this project and we certainly did, but in the process it became the most fun project I have worked on as well," Feyer said. "Intrinsic to the project were the individual talents and personalities of the cast, because of their interactions with the audience. Parts of the show are improvised every night. This is all very like the process of an old cabaret -- lots of different voices coming together, many people's work sharing the stage."
The seniors have brought their project to life in partnership with musical director and local artist Vince di Mura, set and costume designer Anya Klepikov, and lighting designer and classmate Christopher Simpson.
"We looked at tons of research, of course, but the goal was to translate the authentic research into a world with the feel of the early '30s but which [could be] enjoyed by a contemporary audience as functional cabaret," Kleptikov said.
Tickets range in price from $8 to $10 and may be ordered by contacting University Ticketing at (609) 258-9220.